What’s fascinating about pop is our relationship with it.
Note:IL FULCRO
                            
                    
                
            
        
Note:IL FULCRO
                Yellow highlight | Location: 6
        
            David Hepworth is interested in the human side of pop.
                
Note:L APPROCCIO
                            
                    
                
            
        
Note:L APPROCCIO
                Yellow highlight | Location: 6
        
            what it means to us.
                
Note:Ccccccccccccc
                            
                    
                
            
        
Note:Ccccccccccccc
                Yellow highlight | Location: 7
        
            it is possible to take music seriously and, at the same time, not drain the life out of it.
                
Note:LA SCOMMESSA
                            
                    
                
            
        
Note:LA SCOMMESSA
                Yellow highlight | Location: 9
        
            music and life:
                
        
                Yellow highlight | Location: 11
        
            As Pope John Paul II said, ‘Of all the unimportant things, football is the most important.’
                
Note:UN PATRONO D ECCELLENZA
                            
                    
                
            
        
Note:UN PATRONO D ECCELLENZA
                Yellow highlight | Location: 98
        
            1 THE LONG SHADOW OF THE FABS
                
Note:1@@@@@@@@
                            
                    
                
            
        
Note:1@@@@@@@@
                Yellow highlight | Location: 101
        
            THE BEATLES WERE UNDERRATED
                
Note:1@@@@@@@@@@@
                            
                    
                
            
        
Note:1@@@@@@@@@@@
                Yellow highlight | Location: 102
        
            Their craft became obscured by their artistry, their artistry disappeared into their significance and their significance was eventually folded inside their legend.
                
Note:COSA È ANDATO PERDUTO
                            
                    
                
            
        
Note:COSA È ANDATO PERDUTO
                Yellow highlight | Location: 103
        
            underrated for the work they did and overrated, if anything, for what it all meant.
                
Note:ESITO
                            
                    
                
            
        
Note:ESITO
                Yellow highlight | Location: 105
        
            no show-business career can be sustained for longer than three years.
                
Note:LA LEGGE DI LOUIS MENAND...LA CREATIVITÀ SI ESAURISCE
                            
                    
                
            
        
Note:LA LEGGE DI LOUIS MENAND...LA CREATIVITÀ SI ESAURISCE
                Yellow highlight | Location: 106
        
            three years as cheery moptops
                
Note:LA TEORIA X I BEAT
                            
                    
                
            
        
Note:LA TEORIA X I BEAT
                Yellow highlight | Location: 107
        
            three years as psychedelic adventurers.
                
Note:CCCCCCCCCC
                            
                    
                
            
        
Note:CCCCCCCCCC
                Yellow highlight | Location: 114
        
            the first period was actually when the Beatles’ collective genius was operating at full tilt.
                
Note:TESI CONTROVERSA
                            
                    
                
            
        
Note:TESI CONTROVERSA
                Yellow highlight | Location: 116
        
            didn’t consider it beneath them to make their records for fourteen-year-old girls.
                
Note:UMILTÀ
                            
                    
                
            
        
Note:UMILTÀ
                Yellow highlight | Location: 117
        
            the false opposition between rock and pop hadn’t yet been invented.
                
Note:IL RIFUGIO DELLE CANAGLIE
                            
                    
                
            
        
Note:IL RIFUGIO DELLE CANAGLIE
                Yellow highlight | Location: 119
        
            They took the previously discrete skills of singing, songwriting, arrangement, A&R, backing instruments and production and conflated all into the one skill – creating great records. Nobody had done that before.
                
Note:LA LORO ABILITÀ....DISCHI ANCORA MIGLIORI DELLE CANZONI
                            
                    
                
            
        
Note:LA LORO ABILITÀ....DISCHI ANCORA MIGLIORI DELLE CANZONI
                Yellow highlight | Location: 122
        
            Many of their lyrics are banal
                
Note:NN ERANO GRANDI AUTORI
                            
                    
                
            
        
Note:NN ERANO GRANDI AUTORI
                Yellow highlight | Location: 123
        
            songs were a vital ingredient of great records.
                
Note:UN INGREDIENTE
                            
                    
                
            
        
Note:UN INGREDIENTE
                Yellow highlight | Location: 124
        
            combined the qualities of a good vocal group with the skills of a capable instrumental group.
                
Note:FUSIONE
                            
                    
                
            
        
Note:FUSIONE
                Yellow highlight | Location: 125
        
            a new musical shorthand
                
Note:STENOGRAFIA
                            
                    
                
            
        
Note:STENOGRAFIA
                Yellow highlight | Location: 130
        
            Even if Ringo was not the best drummer in the Beatles, he was certainly the best drummer for the Beatles.
                
Note:UN VERO GRUPPO
                            
                    
                
            
        
Note:UN VERO GRUPPO
                Yellow highlight | Location: 131
        
            Lennon and McCartney: two lost boys who somehow transformed their differences into the greatest creative dividend of all.
                
Note:L ES DELLA FUSIONE
                            
                    
                
            
        
Note:L ES DELLA FUSIONE
                Yellow highlight | Location: 133
        
            it was the contributions each made to the other’s ideas that struck the sparks.
                
Note:LA SCINTILLA
                            
                    
                
            
        
Note:LA SCINTILLA
                Yellow highlight | Location: 134
        
            They were clever without suffering from education
                
Note:EVITATO UN OSTACOLO X MOLTE POP STAR
                            
                    
                
            
        
Note:EVITATO UN OSTACOLO X MOLTE POP STAR
                Yellow highlight | Location: 135
        
            They were from the English provinces in an age when that seemed to be a barrier
                
Note:PROVINCIA
                            
                    
                
            
        
Note:PROVINCIA
                Yellow highlight | Location: 141
        
            It is, as far as pop musicians are concerned, the spark of life at the end of God’s outstretched finger,
                
Note:L ELEMENTO SEGRETO DEL POP
                            
                    
                
            
        
Note:L ELEMENTO SEGRETO DEL POP
                Yellow highlight | Location: 143
        
            catchiness is a measure of how memorable a tune is,
                
Note:UTILIZZIAMO UN TERMINE PRECISO...ORECCHIABILE
                            
                    
                
            
        
Note:UTILIZZIAMO UN TERMINE PRECISO...ORECCHIABILE
                Yellow highlight | Location: 147
        
            The coda of ‘Hello Goodbye’ is one such. The prequel to ‘Here, There And Everywhere
                
Note:IL DETTAGLIO
                            
                    
                
            
        
Note:IL DETTAGLIO
                Yellow highlight | Location: 148
        
            wonderful songs they never put out as singles
                
Note:SPREZZO
                            
                    
                
            
        
Note:SPREZZO
                Yellow highlight | Location: 150
        
            ‘Penny Lane/Strawberry Fields Forever’, which is on many people’s lists of the best singles ever, was left off Sgt. Pepper,
                
Note:ROCORDIAMOLO SEMPRE
                            
                    
                
            
        
Note:ROCORDIAMOLO SEMPRE
                Yellow highlight | Location: 153
        
            What really hooks the listener
                
Note:L AGANCIO
                            
                    
                
            
        
Note:L AGANCIO
                Yellow highlight | Location: 154
        
            I knew there was enough on the glistening surface of ‘We Can Work It Out’ to be going on with but I was also aware of something in that deliberately ungainly middle section that would tug away at me for a longer time.
                
Note:CEETI MISTERI
                            
                    
                
            
        
Note:CEETI MISTERI
                Yellow highlight | Location: 160
        
            Nothing in pop music is more powerful than a thrill containing the promise of further thrills.
                
Note:LA CONTINUITÀ
                            
                    
                
            
        
Note:LA CONTINUITÀ
                Yellow highlight | Location: 163
        
            Even when the song was supposed to be the heartfelt plea of a broken man, as in ‘Help!’, they delivered it with bracing glee.
                
Note:LA GAIEZZA
                            
                    
                
            
        
Note:LA GAIEZZA
                Yellow highlight | Location: 165
        
            There was no foreplay. Listen to ‘All My Loving’, ‘Penny Lane’, ‘Eight Days A Week’ or ‘No Reply’.
                
Note:NESSUN PRELIMINARE
                            
                    
                
            
        
Note:NESSUN PRELIMINARE
                Yellow highlight | Location: 166
        
            ‘Help!’ begins like a leap from a high cliff
                
Note:HELP
                            
                    
                
            
        
Note:HELP
                Yellow highlight | Location: 167
        
            they knew the secret of a good speech – start in the middle and finish soon afterwards.
                
        
                Yellow highlight | Location: 168
        
            They began every number as if the shepherd’s crook of time was about to hoick them off stage
                
Note:LO STILE
                            
                    
                
            
        
Note:LO STILE
                Yellow highlight | Location: 170
        
            The whole house was energized
                
Note:ASCOLTO DAL MIO MONO
                            
                    
                
            
        
Note:ASCOLTO DAL MIO MONO
                Yellow highlight | Location: 170
        
            This is music aimed at simply making people happy.
                
Note:LO SCOPO
                            
                    
                
            
        
Note:LO SCOPO
                Yellow highlight | Location: 170
        
            Sadly for rock critics, it’s not complicated.
                
Note:LE VITTIME
                            
                    
                
            
        
Note:LE VITTIME
                Yellow highlight | Location: 171
        
            headlong dash to delirium was signalled by the yowl of joy announcing every guitar break.
                
Note:L ORGASMO
                            
                    
                
            
        
Note:L ORGASMO
                Yellow highlight | Location: 172
        
            All their middle eights, such as Lennon’s ‘when I was a boy’ in ‘She Said She Said’ or Paul’s ‘me I’m just the lucky kind’ in ‘Things We Said Today’,
                
Note:L EQUIVALENTW URLETTO STRUMENTALE
                            
                    
                
            
        
Note:L EQUIVALENTW URLETTO STRUMENTALE
                Yellow highlight | Location: 177
        
            Nowadays happiness makes people uneasy.
                
Note:OGGI È CAMBIATO
                            
                    
                
            
        
Note:OGGI È CAMBIATO
                Yellow highlight | Location: 177
        
            The Beatles were war babies,
                
Note:NATI SOTTO LE BOMBE
                            
                    
                
            
        
Note:NATI SOTTO LE BOMBE
                Yellow highlight | Location: 178
        
            to make them forget their daily troubles,
                
Note:LA MUSICA DEI GENITORI
                            
                    
                
            
        
Note:LA MUSICA DEI GENITORI
                Yellow highlight | Location: 180
        
            providing ecstasy in three-minute hits.
                
        
                Note | Location: 180
        
            LA LORO...PUR SAPENDO CHE LA VITA È DURA
        
                Yellow highlight | Location: 182
        
            we’ve become more blasé.
                
Note:CON LA VVANTO DI ABBONDANZA E TORPORE
                            
                    
                
            
        
Note:CON LA VVANTO DI ABBONDANZA E TORPORE
                Yellow highlight | Location: 183
        
            Nobody uses the word ‘happy’ in connection with pop nowadays
                
Note:DI FATTO
                            
                    
                
            
        
Note:DI FATTO
                Yellow highlight | Location: 191
        
            unique balance between sophistication and simplicity.
                
Note:STUDIO 2 DI ABBEY ROAD DAL GIUGNO 63 AL MARZO 67…DA SHE LOVES YOU A GETTING BETTER
                            
                    
                
            
        
Note:STUDIO 2 DI ABBEY ROAD DAL GIUGNO 63 AL MARZO 67…DA SHE LOVES YOU A GETTING BETTER
                Yellow highlight | Location: 197
        
            How could the word ‘catchiness’ possibly do justice to their achievements?
                
Note:LA DOMANDA DI CHI HA LETTO IL PEZZO
                            
                    
                
            
        
Note:LA DOMANDA DI CHI HA LETTO IL PEZZO
                Yellow highlight | Location: 204
        
            a hit record’s emotional stickiness arises from the uniqueness of a particular performance.
                
Note:L HO SCOPERTO ASCOLTANDO I SESSION MAN PIÙ FAMOSI
                            
                    
                
            
        
Note:L HO SCOPERTO ASCOLTANDO I SESSION MAN PIÙ FAMOSI
                Yellow highlight | Location: 207
        
            ‘It’s very difficult to capture,’
                
Note:LA LINEA DI BASSO DI THE BOOTS
                            
                    
                
            
        
Note:LA LINEA DI BASSO DI THE BOOTS
                Yellow highlight | Location: 209
        
            They think greatness in pop is all about soul and inspiration and having your heart in the right place.
                
Note:L ERRORE DEI ROCKER
                            
                    
                
            
        
Note:L ERRORE DEI ROCKER
                Yellow highlight | Location: 210
        
            It’s about the tiny details that, in the words of a musician interviewed in the documentary, ‘make the tune pop’.
                
Note:L ALTERNATIVA....QUI I B ERANO MAESTRI
                            
                    
                
            
        
Note:L ALTERNATIVA....QUI I B ERANO MAESTRI
                Yellow highlight | Location: 212
        
            we in our ignorance summarize under the word ‘production’ –
                
Note:UNA PAROLA
                            
                    
                
            
        
Note:UNA PAROLA
                Yellow highlight | Location: 213
        
            these musicians used the word ‘pop’ it was as a verb, not a noun.
                
Note:TRUCCO
                            
                    
                
            
        
Note:TRUCCO
                Yellow highlight | Location: 215
        
            IT’S ALL ABOUT THE DRUMMER
                
Note:@@@@@@@@@@@@@@
                            
                    
                
            
        
Note:@@@@@@@@@@@@@@
                Yellow highlight | Location: 217
        
            another drummer was already in there,
                
Note:QUANDO RINGO ARRIVÒ A ABBEY ROAD
                            
                    
                
            
        
Note:QUANDO RINGO ARRIVÒ A ABBEY ROAD
                Yellow highlight | Location: 218
        
            Andy White,
                
Note:L INTRUSO
                            
                    
                
            
        
Note:L INTRUSO
                Yellow highlight | Location: 219
        
            when a new group got into the studio for the first time it was the drummer who let them down.
                
Note:GEORGE MARTIN LA SAPEVA LUNGA
                            
                    
                
            
        
Note:GEORGE MARTIN LA SAPEVA LUNGA
                Yellow highlight | Location: 220
        
            ‘Love Me Do’,
                
Note:IL PEZZO DA FARE
                            
                    
                
            
        
Note:IL PEZZO DA FARE
                Yellow highlight | Location: 223
        
            got the relationship between George Martin and Ringo Starr off to a shaky start, from which they never quite recovered.
                
Note:LA PRESENZA DELL ONTRUSO VOLUTO DA MARTIN
                            
                    
                
            
        
Note:LA PRESENZA DELL ONTRUSO VOLUTO DA MARTIN
                Yellow highlight | Location: 225
        
            drummers know where the beat is.
                
Note:IL CARDINE
                            
                    
                
            
        
Note:IL CARDINE
                Yellow highlight | Location: 227
        
            decides where the beat is.
                
Note:ANZI
                            
                    
                
            
        
Note:ANZI
                Yellow highlight | Location: 228
        
            It won’t be anything you can persuade him about.
                
Note:COMANDA IL SUO CORPO
                            
                    
                
            
        
Note:COMANDA IL SUO CORPO
                Yellow highlight | Location: 229
        
            he’ll be no more capable of changing it than he is of altering the way he walks,
                
Note:È LA SUA CAMMINATA
                            
                    
                
            
        
Note:È LA SUA CAMMINATA
                Yellow highlight | Location: 230
        
            musicians perform the music. Drummers are the music.
                
Note:DICIAMO COSÌ
                            
                    
                
            
        
Note:DICIAMO COSÌ
                Yellow highlight | Location: 231
        
            ‘What do you call somebody who hangs around with musicians? A drummer’,
                
Note:BARZELLETTE E CULTURA DEL NN RISPETTO
                            
                    
                
            
        
Note:BARZELLETTE E CULTURA DEL NN RISPETTO
                Yellow highlight | Location: 233
        
            developing a repertoire of tricks and gimmicks
                
Note:NEGLI ANNI 70 SONO TORNATI ARICCHENDO IL KIT
                            
                    
                
            
        
Note:NEGLI ANNI 70 SONO TORNATI ARICCHENDO IL KIT
                Yellow highlight | Location: 234
        
            musical digression, the drum solo.
                
Note:NOVITÀ
                            
                    
                
            
        
Note:NOVITÀ
                Yellow highlight | Location: 237
        
            Great drumming is, like the internal combustion engine, something we only truly value when it’s not working.
                
Note:COME L ARBITRO
                            
                    
                
            
        
Note:COME L ARBITRO
                Yellow highlight | Location: 240
        
            even within the limitations of a rudimentary rock and roll style Ringo sends the blood coursing through the band’s veins
                
Note:CFR IL PRIMA E IL DOPO RINGO
                            
                    
                
            
        
Note:CFR IL PRIMA E IL DOPO RINGO
                Yellow highlight | Location: 243
        
            walking out during the White Album sessions in the summer of 1968
                
Note:L ULTIMO AD ARRIVARE E IL PRIMO AD ANDARSENE...NN SI SENTIVA VALORIZZATO
                            
                    
                
            
        
Note:L ULTIMO AD ARRIVARE E IL PRIMO AD ANDARSENE...NN SI SENTIVA VALORIZZATO
                Yellow highlight | Location: 244
        
            he never did anything to draw attention to himself.
                
Note:UN PO È ANCHE COLPA SUA...FACEVA PARTE DEL SUO STILE
                            
                    
                
            
        
Note:UN PO È ANCHE COLPA SUA...FACEVA PARTE DEL SUO STILE
                Yellow highlight | Location: 245
        
            realize how empty and flashy all that jazz-rock and progressive soloing was
                
Note:ECCO QUANDO ABBIAMO REALIZZATO CHE UN TIPO QUADRATO COME RINGO ERA UNA BENEDIZ
                            
                    
                
            
        
Note:ECCO QUANDO ABBIAMO REALIZZATO CHE UN TIPO QUADRATO COME RINGO ERA UNA BENEDIZ
                Yellow highlight | Location: 247
        
            He revolutionized rock drumming by eschewing the chopsticks grip which people like the Shadows’ Tony Meehan had inherited from big band players like Gene Krupa
                
Note:IMPUGNATURA A MARTELLO
                            
                    
                
            
        
Note:IMPUGNATURA A MARTELLO
                Yellow highlight | Location: 250
        
            He was born left-handed but his grandmother was superstitious
                
Note:UN DESTRO FORZATO
                            
                    
                
            
        
Note:UN DESTRO FORZATO
                Yellow highlight | Location: 252
        
            This is the reason why no other drummer can imitate what he does on ‘Ticket To Ride’ from Help! or ‘Come Together’ from Abbey Road.
                
Note:UNICO
                            
                    
                
            
        
Note:UNICO
                Yellow highlight | Location: 255
        
            rock has gone from simplicity to pointless elaboration and back to simplicity again.
                
Note:PARABOLA
                            
                    
                
            
        
Note:PARABOLA
                Yellow highlight | Location: 255
        
            judging a guitar solo by how fast it’s played is like judging a novel by how quickly it was typed,
                
Note:IL VIRTUOSO
                            
                    
                
            
        
Note:IL VIRTUOSO
                Yellow highlight | Location: 256
        
            best drummers are the ones who do something that you can’t replace with a machine.
                
Note:UN CRITERIO
                            
                    
                
            
        
Note:UN CRITERIO
                Yellow highlight | Location: 257
        
            Smart opinion invariably gets pop music wrong, praising it for qualities that matter in other art forms and passing over the things that matter most in pop.
                
Note:GIUDICARE IL POP
                            
                    
                
            
        
Note:GIUDICARE IL POP
                Yellow highlight | Location: 258
        
            two great songwriters plus help, rather than the four-headed euphoria machine that they were.
                
Note:X QS TANTI GIUDIZI SBAGLIATI SUI B
                            
                    
                
            
        
Note:X QS TANTI GIUDIZI SBAGLIATI SUI B
                Yellow highlight | Location: 263
        
            it is all essentially rhythm music.
                
Note:SIA IL ROCK CHE IL POP.....NO SOLO ASCOLTO
                            
                    
                
            
        
Note:SIA IL ROCK CHE IL POP.....NO SOLO ASCOLTO
                Yellow highlight | Location: 265
        
            ‘beat music’,
                
Note:IL TERMINE GIUSTO
                            
                    
                
            
        
Note:IL TERMINE GIUSTO
                Yellow highlight | Location: 266
        
            it calls for a physical response,
                
Note:SPECIFICO
                            
                    
                
            
        
Note:SPECIFICO
                Yellow highlight | Location: 267
        
            dance fever or just tapping your fingers on the steering wheel.
                
Note:Ccccccccc
                            
                    
                
            
        
Note:Ccccccccc
                Yellow highlight | Location: 267
        
            the things that jazz and classical fans don’t like about beat music, the repetition and dumb simplicity, those are the very things that are best about it.
                
Note:PER QS CHE...
                            
                    
                
            
        
Note:PER QS CHE...
                Yellow highlight | Location: 270
        
            Earl Palmer,
                
Note:L NVENTORE DEL DRUMMING ROCK
                            
                    
                
            
        
Note:L NVENTORE DEL DRUMMING ROCK
                Yellow highlight | Location: 271
        
            imported the bass drum sound of the New Orleans parade band into the hits of Fats Domino and Little Richard.
                
Note:LA DINAMICA
                            
                    
                
            
        
Note:LA DINAMICA
                Yellow highlight | Location: 273
        
            Hal Blaine, who provided the most dramatic three beats in popular music, the ones that introduce the Ronettes’ ‘Be My Baby’.
                
Note:ALTRO CAPOSTIPITE
                            
                    
                
            
        
Note:ALTRO CAPOSTIPITE
                Yellow highlight | Location: 274
        
            Richard Allen and Uriel Jones, who played that drum track on Marvin Gaye’s ‘I Heard It Through The Grapevine’,
                
Note:ALTRO MONUM
                            
                    
                
            
        
Note:ALTRO MONUM
                Yellow highlight | Location: 275
        
            play slightly behind the band so that you sound as if you’re reining them in rather than whipping them on.
                
Note:CHARLIE WATTS
                            
                    
                
            
        
Note:CHARLIE WATTS
                Yellow highlight | Location: 277
        
            whose sound has been likened to a wardrobe full of bricks being tipped down a concrete staircase and has been sampled for use on a million hip hop records.
                
Note:BONHAM DEI LED ZEPPELIN
                            
                    
                
            
        
Note:BONHAM DEI LED ZEPPELIN
                Yellow highlight | Location: 279
        
            the man who inspired the tune ‘Funky Drummer’.
                
Note:CLYDE STUBBLEFIELD
                            
                    
                
            
        
Note:CLYDE STUBBLEFIELD
                Yellow highlight | Location: 281
        
            replacing the drummer with a drum machine.
                
Note:GENTE COSÌ È DIFFICILE SENTIRLA ORA
                            
                    
                
            
        
Note:GENTE COSÌ È DIFFICILE SENTIRLA ORA
                Yellow highlight | Location: 283
        
            They are not relying on a mere human being to achieve that particular rhythmic state of grace
                
Note:OGGI TUTTO È ASSEMBLATO
                            
                    
                
            
        
Note:OGGI TUTTO È ASSEMBLATO
                Yellow highlight | Location: 284
        
            ‘Come Together’ or Roxy Music’s ‘Love Is The Drug’.
                
Note:VECCHIA MANIERA
                            
                    
                
            
        
Note:VECCHIA MANIERA
                Yellow highlight | Location: 285
        
            Nothing speeds up or slows down,
                
Note:MANCA L UMANO
                            
                    
                
            
        
Note:MANCA L UMANO
                Yellow highlight | Location: 291
        
            It started in the mid-fifties and lasted until the early nineties.
                
Note:FINITA UN ERA
                            
                    
                
            
        
Note:FINITA UN ERA
                Yellow highlight | Location: 303
        
            I said that drummers were underrated. I never said they weren’t strange.
                
Note:SOTTOVALUTATI
                            
                    
                
            
        
Note:SOTTOVALUTATI
                Yellow highlight | Location: 308
        
            Who without Keith Moon are missing more than just a drummer.
                
Note:DIFFICILE RIMPIAZZARE UN DRUMMER
                            
                    
                
            
        
Note:DIFFICILE RIMPIAZZARE UN DRUMMER
                Yellow highlight | Location: 311
        
            The 2012 documentary about Status Quo provides the perfect demonstration
                
Note:CASE STUDY
                            
                    
                
            
        
Note:CASE STUDY
                Yellow highlight | Location: 325
        
            How else do you describe the way these four individuals just happen to lock together while thousands of other four-man groups, no more or less deserving, simply don’t? Rock is not an adjective. Like pop, it’s a verb.
                
Note:IL VERBO
                            
                    
                
            
        
Note:IL VERBO
                Yellow highlight | Location: 328
        
            MANAGERS ARE THE REAL VICTIMS
                
Note:@@@@@@@@@@@@@@
                            
                    
                
            
        
Note:@@@@@@@@@@@@@@
                Yellow highlight | Location: 330
        
            the image of the archetypal manager.
                
Note:LO STEREOTIPO DI CHI PENSA AL POP
                            
                    
                
            
        
Note:LO STEREOTIPO DI CHI PENSA AL POP
                Yellow highlight | Location: 331
        
            an older, balder man with a cigar jammed in the corner of his mouth, cackling quietly to himself as he counts out the £50 notes he has swindled from the efforts of his saintly, otherworldly charges.
                
Note:ECCOLO
                            
                    
                
            
        
Note:ECCOLO
                Yellow highlight | Location: 333
        
            thieves, philistines and charlatans.
                
Note:IL MANAGEE NEI FILM
                            
                    
                
            
        
Note:IL MANAGEE NEI FILM
                Yellow highlight | Location: 336
        
            love of a band drew them into a Paul McGuinness–U2 relationship with the object of their affections.
                
Note:SPESSO
                            
                    
                
            
        
Note:SPESSO
                Yellow highlight | Location: 339
        
            I know people like to think of the manager as the one who sucks the blood from young necks. In my experience it’s quite often the opposite. Young bands understandably search out a manager who’s got the things they haven’t got – a job, a bank account, credit cards, transportation, clean linen, a family, a full fridge,
                
Note:RIBALTARE TUTTO
                            
                    
                
            
        
Note:RIBALTARE TUTTO
                Yellow highlight | Location: 343
        
            the desire to spend as much time as possible playing music; the belief that this might put them in the way of lots of sex; and the urgent need to avoid having to do any of the things that the world traditionally requires of adults.
                
Note:LE TRE MOLLE CHE TI FANNO FORMARE VUNA BAND
                            
                    
                
            
        
Note:LE TRE MOLLE CHE TI FANNO FORMARE VUNA BAND
                Yellow highlight | Location: 345
        
            the person to whom they can devolve all the many things they find too tiresome
                
Note:CHI È IL MANAGER
                            
                    
                
            
        
Note:CHI È IL MANAGER
                Yellow highlight | Location: 347
        
            Brian Epstein
                
Note:UN CASO
                            
                    
                
            
        
Note:UN CASO
                Yellow highlight | Location: 348
        
            he wanted to be part of their success and he was in love with at least one of them.
                
Note:MOTIVAZIONI
                            
                    
                
            
        
Note:MOTIVAZIONI
                Yellow highlight | Location: 351
        
            it was common for managers to be ditched as soon as they had negotiated the first deal
                
Note:LICENZIATI AL PRIMO GROSSO CONTRATTO
                            
                    
                
            
        
Note:LICENZIATI AL PRIMO GROSSO CONTRATTO
                Yellow highlight | Location: 353
        
            the manager’s the first to blame.
                
Note:SE LA CARRIERA VA MALE
                            
                    
                
            
        
Note:SE LA CARRIERA VA MALE
                Yellow highlight | Location: 353
        
            If anything goes right, that’s down to their genius.
                
Note:MA NN È MAI VERO L OPPOSTO
                            
                    
                
            
        
Note:MA NN È MAI VERO L OPPOSTO
                Yellow highlight | Location: 354
        
            They don’t often get a second
                
Note:IL RR È SPIETATO CON LORO
                            
                    
                
            
        
Note:IL RR È SPIETATO CON LORO
                Yellow highlight | Location: 359
        
            A HARD DAY’S NIGHT FIFTY YEARS ON
                
Note:@@@@@@@@@@@@
                            
                    
                
            
        
Note:@@@@@@@@@@@@
                Yellow highlight | Location: 372
        
            There’s nothing in media and entertainment that can’t be ruined by more money and more time.
                
Note:TIRATO VIA....IL SUO BELLO
                            
                    
                
            
        
Note:TIRATO VIA....IL SUO BELLO
                Yellow highlight | Location: 383
        
            they’re playing but also working and just enjoying being together.
                
Note:FELICI
                            
                    
                
            
        
Note:FELICI
                Yellow highlight | Location: 383
        
            They exchange looks that say, right now we’re the luckiest people in the world.
                
Note:FORTUMA
                            
                    
                
            
        
Note:FORTUMA
                Yellow highlight | Location: 386
        
            There was such outrageous vitality in their music at the time that it didn’t need overselling.
                
Note:VOTALITÀ SFACCIATA
                            
                    
                
            
        
Note:VOTALITÀ SFACCIATA
                Yellow highlight | Location: 390
        
            The uncanny perfection of ‘If I Fell’ and ‘I Should Have Known Better’
                
Note:I PEZZI PEZZO MIGLIORI
                            
                    
                
            
        
Note:I PEZZI PEZZO MIGLIORI
                Yellow highlight | Location: 391
        
            When the cowbell came in on the middle eight of the title song I felt the screen was about to burst with joy.
                
Note:APICE
                            
                    
                
            
        
Note:APICE
                Yellow highlight | Location: 395
        
            LPs were usually for Christmas
                
Note:NN ERANO CENTRALI NEL POP
                            
                    
                
            
        
Note:NN ERANO CENTRALI NEL POP
                Yellow highlight | Location: 398
        
            Righteous Brothers’ ‘You’ve Lost That Lovin’ Feelin’’, the Kinks’ ‘Tired Of Waiting For You’, the Byrds’ ‘Mr Tambourine Man’, the Walker Brothers’ ‘Make It Easy On Yourself’ and Sonny & Cher’s ‘I Got You Babe’ alongside three from the Rolling Stones, including ‘(I Can’t Get No) Satisfaction’, and two from the Beatles, both from the soundtrack of Help!,
                
Note:1965 ANNO MIRABILIS X I 45
                            
                    
                
            
        
Note:1965 ANNO MIRABILIS X I 45
                Yellow highlight | Location: 402
        
            Bob Dylan’s ‘Like A Rolling Stone’, the Who’s ‘My Generation’, the Beach Boys’ ‘Help Me, Rhonda’ and the Four Tops’ ‘I Can’t Help Myself’.
                
Note:SEMPRE QUELL ANNO
                            
                    
                
            
        
Note:SEMPRE QUELL ANNO
                Yellow highlight | Location: 405
        
            Wilson Pickett’s ‘In The Midnight Hour’, James Brown’s ‘Papa’s Got A Brand New Bag’ and Otis Redding’s ‘Respect’.
                
Note:ANCORA
                            
                    
                
            
        
Note:ANCORA
                Yellow highlight | Location: 414
        
            from the story songs of Bob Dylan to the droning rock of the Kinks, from the bass-heavy Southern funk of Otis Redding to the Chelsea swagger of the Rolling Stones.
                
Note:INFLUENZE DI RUBBER...A LORO VOLTA INFLUENZATE DAI BEATLES
                            
                    
                
            
        
Note:INFLUENZE DI RUBBER...A LORO VOLTA INFLUENZATE DAI BEATLES
                Yellow highlight | Location: 417
        
            it was possible to make long-players that were every bit as taut and compelling as singles.
                
Note:COSA VOLEVANO DIMOSTRARE
                            
                    
                
            
        
Note:COSA VOLEVANO DIMOSTRARE
                Yellow highlight | Location: 423
        
            the middle eight of ‘Norwegian Wood’, which was John’s song, came from Paul; similarly the middle eight of ‘Michelle’, which was predominantly Paul’s, was provided by John.
                
Note:MX COMPOSER
                            
                    
                
            
        
Note:MX COMPOSER
                Yellow highlight | Location: 425
        
            McCartney would redo George’s guitar parts if he didn’t think he was playing them well enough.
                
Note:I VECCHI E LE BURBE
                            
                    
                
            
        
Note:I VECCHI E LE BURBE
                Yellow highlight | Location: 427
        
            harmonizing the ‘la-la-la’s on ‘You Won’t See Me’
                
Note:ARMONIZZAZIONI
                            
                    
                
            
        
Note:ARMONIZZAZIONI
                Yellow highlight | Location: 428
        
            lascivious inhalation after the title of ‘Girl’
                
Note:SOSPIRONE
                            
                    
                
            
        
Note:SOSPIRONE
                Yellow highlight | Location: 428
        
            the cod-French of ‘Michelle’
                
Note:ASSURDO
                            
                    
                
            
        
Note:ASSURDO
                Yellow highlight | Location: 438
        
            ‘Day Tripper’ backed with ‘We Can Work It Out’.
                
Note:IL GRANDE SINGOLO CHE CHIUSE LA STAGIONE
                            
                    
                
            
        
Note:IL GRANDE SINGOLO CHE CHIUSE LA STAGIONE
                Yellow highlight | Location: 440
        
            Obviously everybody thinks the music made when they were fifteen was the best music of all. It’s not my fault that I happen to be right.
        
