Notebook per
So You’re a Subversive Artist, Are You
Nick Gillespie
Citation (APA): Gillespie, N. (2017). So You’re a Subversive Artist, Are You [Kindle Android version]. Retrieved from Amazon.com
Parte introduttiva
Evidenzia (giallo) - Posizione 1
So You’re a Subversive Artist, Are You? By Nick Gillespie
Nota - Posizione 3
t
Evidenzia (giallo) - Posizione 24
Comedy is “inherently subversive” and you might get “killed” for mocking the room? Not literally,
Nota - Posizione 25
L IRONIA NN È SOVVERSIVA
Evidenzia (giallo) - Posizione 30
Truth be told, there’s nothing inherently subversive about comedy,
Nota - Posizione 31
c
Evidenzia (giallo) - Posizione 31
Bill Hicks, often lauded as “truth teller” about corporate power, was no more a threat to the Republic than is Carrot Top.
Nota - Posizione 33
ANCHE I PIÙ TRASGRESSIVI NN SPOSTANO CONSENSO
Evidenzia (giallo) - Posizione 34
Does anyone doubt that Nazi Germany had its own version of the Capitol Steps, the dreary comedy troupe that does hacky song parodies poking fun at John Kerry’s snowboarding fiascoes, John Boehner’s skin tone, and Hillary Clinton’s pantsuits? You can almost hear their hoo-larious version of “We Didn’t Start the (Reichstag) Fire” or “Ballroom Blitzkrieg,” can’t you?
Nota - Posizione 36
ANCHE I NAZI AVEVANO I LORO COMICI
Evidenzia (giallo) - Posizione 49
90 percent of comedy, including “serious” comedy, is, to paraphrase an iron law formulated by the science fiction writer Theodore Sturgeon, crap. Put another way: How many standup comedians (besides Gandhi of course) have changed the world?
Nota - Posizione 50
LA COMICITÀ? STRONZATE X DIVERTIRSI TRA AFFINI
Nota - Posizione 51
NESSUNO CAMBIA IL MONDO
Evidenzia (giallo) - Posizione 54
Even rock and roll bands have a better record at spurring social change than do comedians, with the Velvet Underground’s sadomasochistic aesthetic that was condemned in the free and communist worlds alike inspiring Czechoslovakia’s bloodless overthrow of communist tyranny.
Nota - Posizione 55
PERFINO LE ROCK STAR FANNO MEGLIO
Evidenzia (giallo) - Posizione 70
Antidote to Laughter
Evidenzia (giallo) - Posizione 74
Whatever good points I made were not by being funny (the producers of each show wisely insist that non-comedians don’t do jokes) but by being well-informed and persistent.
Nota - Posizione 76
INFORMATI E VOLONTEROSI. MEGLIO CHE DIVERTENTI
Evidenzia (giallo) - Posizione 77
the main function of comedy, especially political comedy, isn’t to stretch people’s minds or get them to confront the limits of their systems of knowledge.
Nota - Posizione 79
LA RISATA NN SERVE A CAPIRE
Evidenzia (giallo) - Posizione 79
At least since the Romantic period, virtually all artists have claimed to be subversives, to being “oppositional” to the status quo
Nota - Posizione 80
SEMPRE ALL OPPOSIZIONE... MA SEMPRE PRONTI ALLA RITIRATA
Evidenzia (giallo) - Posizione 86
they can retreat when the heat comes down and aver, “Hey, I’m just a comedian!” Jon Stewart, that would be you.
Nota - Posizione 88
c È SOLO COMICITÀ
Evidenzia (giallo) - Posizione 89
The main purpose of much and maybe even most creative expression— whether we’re talking fiction, video, art, music, journalism, comedy, you name it— is to virtue-signal, to show to your audience that you already agree with each other and that you are politically correct (however your group defines it).
Nota - Posizione 91
IL VERO SCOPO: SEGNALARSI COME BRILLANTI APPARTENENTI AL GRUPPO GIUSTO
Evidenzia (giallo) - Posizione 97
Such in-group virtue signaling is as true for libertarians as it is for liberals and conservatives, alas. Don’t we all love South Park not because it challenges our deepest-held beliefs– but because we agree with most of the show’s anti-authority, anti-Al Gore, anti-nanny-state messaging? It’s nice to see our broad world view being validated from the big stage.
Nota - Posizione 102
PERCHÈ NOI LIBERTARI AMIAMO SOUTH PARK?
Evidenzia (giallo) - Posizione 138
What libertarians writ large need to do is recognize that if we want to subvert the current order— and we do, in all sorts of ways— we need to be simultaneously expressive and persuasive, to explain what we believe, why we believe it, and why it will lead to a world that is more prosperous, more peaceful, more interesting, and more sustainable that what we have now. Sometimes our cultural work will involve humor, sometimes it will involve earnest policy work, sometimes it will involve three-handkerchief journalism,
Nota - Posizione 140
LA COMICITÀ È UN ARMA POLITICA. NN DI VERITÀ
Evidenzia (giallo) - Posizione 147
Comedy and Moralizing Still Go Together, Sadly
Nota - Posizione 147
t
Evidenzia (giallo) - Posizione 161
Comedy [is] inherently subversive to any incarnation of human conceit. As an art form, comedy is inherently anti-authoritarian. Comedy itself is anarchist insofar as it celebrates and bears witness to a world that the state must deny
Nota - Posizione 163
LA POSIZIONE DI MOLTI: LA RISATA È ANARCHICA
Evidenzia (giallo) - Posizione 168
Jeremy may claim that he doesn’t believe creative expression generally or comedy in particular should be put into the service of a specific ideological or political agenda,
Nota - Posizione 169
IMPOSSIBILE CHE SIA AL SERVIZIO DELL IDEOLOGIA?
Evidenzia (giallo) - Posizione 186
If comedy is tragedy plus time, tragedy may be when comedy starts taking itself so seriously that it stops even pretending to be entertaining.
Nota - Posizione 186
LA COMMEDIA SI TRASFORMA IN TRAGEDIA
Evidenzia (giallo) - Posizione 187
The challenge before those of us interested in creating a world that is more free, more fun, and more libertarian is to create culture— everything from standup comedy to journalism that stands up— that is engaging, provocative, and irresistible.
Nota - Posizione 188
È LA CULTURA CHE CONTA NN LA COMMEDIA
