4 Improvisation
Note:4@@@@@@@@@@
Note:4@@@@@@@@@@
Yellow highlight | Location: 1,391
In 1963, defying the wet velvet heat of a Washington,
Note:LA GRANDE MARCIA
Note:LA GRANDE MARCIA
Yellow highlight | Location: 1,397
The gospel singer Mahalia Jackson sang, ‘I’ve been ’buked and I’ve been scorned.’
Note:INTRO
Note:INTRO
Yellow highlight | Location: 1,400
Dr King had spent the night labouring on his speech
Note:PROGRAMAZ
Note:PROGRAMAZ
Yellow highlight | Location: 1,401
weighing every word
Yellow highlight | Location: 1,414
rigorous research, careful drafting and redrafting, memorising the beautiful script and then delivering it with passion.
Note:LA RICETTA KINGIANA
Note:LA RICETTA KINGIANA
Yellow highlight | Location: 1,423
King’s Sunday sermons mattered enormously to him.
Note:COMINCIAVA MARTEDÌ
Note:COMINCIAVA MARTEDÌ
Yellow highlight | Location: 1,430
consider the fate of those who do not seem to have prepared. Rick Perry,
Note:UN POLITICO CHE NN SA PARLARE IN PUBBLICO
Note:UN POLITICO CHE NN SA PARLARE IN PUBBLICO
Yellow highlight | Location: 1,438
write a speech and then I use it as the basis for what I want to say
Note:RICETTA MILIBAND...E I PERICOLI DI LACUNA
Note:RICETTA MILIBAND...E I PERICOLI DI LACUNA
Yellow highlight | Location: 1,446
Ratner joked that one of his products – a crystal decanter – was ‘total crap’
Note:BURLONE
Note:BURLONE
Yellow highlight | Location: 1,451
It seems obvious that when speaking in public we should prepare as diligently as Martin Luther King
Note:MORALE
Note:MORALE
Yellow highlight | Location: 1,453
What if we should improvise more,
Note:IPOTESI
Note:IPOTESI
Yellow highlight | Location: 1,456
2nd of March 1959,
Yellow highlight | Location: 1,458
Miles Davis, the group’s leader, had brought with him the vaguest sketches
Note:PRONTI A REGISTRARE
Note:PRONTI A REGISTRARE
Yellow highlight | Location: 1,460
usual practice was to record each song several times and it was common to splice together tape from the different takes.
Note:PRATICA JAZZISTA
Note:PRATICA JAZZISTA
Yellow highlight | Location: 1,462
The first complete performance of each thing is what you’re hearing
Note:TECNICA MILES
Note:TECNICA MILES
Yellow highlight | Location: 1,463
First-take feelings,
Yellow highlight | Location: 1,464
generally the best.
Yellow highlight | Location: 1,465
‘So What’.
Yellow highlight | Location: 1,465
few takes aborted
Yellow highlight | Location: 1,472
gives his cymbal a whack that’s just a little too hard.
Note:L ERRORE DI JIMMY COBB
Note:L ERRORE DI JIMMY COBB
Yellow highlight | Location: 1,473
the trumpeter launches into what is to become one of the most famous solos in jazz,
Note:INVECE DI FERMARE TUTTO
Note:INVECE DI FERMARE TUTTO
Yellow highlight | Location: 1,480
Miles Davis and his band improvised this musical revolution from moment to moment.
Note:UNA RIVOLUZ IMPRO
Note:UNA RIVOLUZ IMPRO
Yellow highlight | Location: 1,482
it wasn’t the record that Miles had been hoping to produce.
Note:IL BELLO
Note:IL BELLO
Yellow highlight | Location: 1,483
I missed what I was trying to do on Kind of Blue,
Note:FALLIMENRO PERSONALE
Note:FALLIMENRO PERSONALE
Yellow highlight | Location: 1,488
Sometimes the mess produces something worth
Yellow highlight | Location: 1,491
why Miles preferred improvising to careful composition. To improvise is to lose control
Note:A CHI PIACE PERDERE IL CONTROLLO
Note:A CHI PIACE PERDERE IL CONTROLLO
Yellow highlight | Location: 1,492
what do we gain in exchange for that loss
Note:Cccccc
Note:Cccccc
Yellow highlight | Location: 1,493
much faster and cheaper
Note:OVVIO QUANDO SI È IN STU
Note:OVVIO QUANDO SI È IN STU
Yellow highlight | Location: 1,494
Kind of Blue took less than nine hours
Yellow highlight | Location: 1,495
Sgt Pepper’s Lonely Hearts Club Band took seven hundred
Yellow highlight | Location: 1,496
Another clear gain is flexibility.
Note:SECONDO GUADAGN
Note:SECONDO GUADAGN
Yellow highlight | Location: 1,499
free to change course
Yellow highlight | Location: 1,501
Speed, economy and flexibility:
Note:RIASSUNTO
Note:RIASSUNTO
Yellow highlight | Location: 1,504
It’s magical, but it’s not magic,’ says Charles Limb. ‘It’s a product of the brain.’
Note:LA MAGIA DEL NUOVO SPIEGATA
Note:LA MAGIA DEL NUOVO SPIEGATA
Yellow highlight | Location: 1,517
what goes on in an improvising brain.
Note | Location: 1,518
FMRI
Yellow highlight | Location: 1,519
an intriguing pattern in the prefrontal cortex.
Note:SOLLECITATA IN MODO PARTICOLARE
Note:SOLLECITATA IN MODO PARTICOLARE
Yellow highlight | Location: 1,521
seat of consciousness
Note:UNA PARTE IMPORTANTE
Note:UNA PARTE IMPORTANTE
Yellow highlight | Location: 1,521
sense of self, sense of morality, sense of humour.
Note:TUTTI I PROCESSI PIÙ ELEVATI
Note:TUTTI I PROCESSI PIÙ ELEVATI
Yellow highlight | Location: 1,524
dorsolateral areas,
Note:PARTE SILENZIATA
Note:PARTE SILENZIATA
Yellow highlight | Location: 1,525
the medial frontal area,
Note:PARTE INFIAMMATA
Note:PARTE INFIAMMATA
Yellow highlight | Location: 1,526
study by Braun of freestyle rappers.
Note:SIMILE
Note:SIMILE
Yellow highlight | Location: 1,527
improvisers are suppressing their conscious control and letting go.
Note:SIGNIFICATO...NO HYPO
Note:SIGNIFICATO...NO HYPO
Yellow highlight | Location: 1,528
censoring our own brains.
Note:DI SOLITO
Note:DI SOLITO
Yellow highlight | Location: 1,529
self-control
Note:IL CONTRARII
Note:IL CONTRARII
Yellow highlight | Location: 1,531
maybe it squashes creativity.
Note:EFFETTO
Note:EFFETTO
Yellow highlight | Location: 1,532
Improvising musicians shut down their inner critics.
Yellow highlight | Location: 1,533
improvising brain is a little like the tipsy brain,
Note:UN CERVELLO DISINIBITO E ALTICCIO
Note:UN CERVELLO DISINIBITO E ALTICCIO
Yellow highlight | Location: 1,535
with the internal censor asleep, it sometimes feels like a messy, reckless thing
Note:UN GRAN CASINO
Note:UN GRAN CASINO
Yellow highlight | Location: 1,544
‘We’re sorry about the interruption to your service.
Note:SCUSE COPIAINCOLLATE DA O2 DOPO IL DISSERVIZIO
Note:SCUSE COPIAINCOLLATE DA O2 DOPO IL DISSERVIZIO
Yellow highlight | Location: 1,550
O2: but we still love you!
Note:RISPOSTA ALTERNATIVA SBARAZZINA SFACCIATA
Note:RISPOSTA ALTERNATIVA SBARAZZINA SFACCIATA
Yellow highlight | Location: 1,559
responding to customer complaints with cheeky affection or the equivalent of a jokey wink,
Yellow highlight | Location: 1,562
Chris’s tweets quickly attracted an audience,
Yellow highlight | Location: 1,563
following O2 to watch the show,
Yellow highlight | Location: 1,573
O2’s improvised defence was reported across the world and almost universally admired.
Note:SUCCESSO
Note:SUCCESSO
Yellow highlight | Location: 1,576
respond with self-deprecating jokes.
Note:AUTOIRONIA
Note:AUTOIRONIA
Yellow highlight | Location: 1,582
Tweets aren’t micromanaged; instead there’s a review every couple of weeks
Note:RIASSUNTO
Note:RIASSUNTO
Yellow highlight | Location: 1,583
room to improvise and adapt to circumstances.
Note:BENEFICIO
Note:BENEFICIO
Yellow highlight | Location: 1,585
trusting employees’
Note:SPAZIO IMPRO SPAZIO DIPEND
Note:SPAZIO IMPRO SPAZIO DIPEND
Yellow highlight | Location: 1,590
the simple act of listening and improvising
Note:RISTORANTE...CAMERIERE CHE ORECCHIA E IMPROVV IL SERVIZIO
Note:RISTORANTE...CAMERIERE CHE ORECCHIA E IMPROVV IL SERVIZIO
Yellow highlight | Location: 1,592
One woman ordered boots for her husband and then wanted to return them after he died in a car accident; the Zappos rep who took the call immediately sent her flowers.
Note:ZEPPOS
Note:ZEPPOS
Yellow highlight | Location: 1,602
creating ‘freedom and space to hear things’.
Note:DAVIS DESCRIVE IL SUO JAZZ...NN SUONARE MA ASCOLTARE
Note:DAVIS DESCRIVE IL SUO JAZZ...NN SUONARE MA ASCOLTARE
Yellow highlight | Location: 1,604
and to respond.
Yellow highlight | Location: 1,608
Trained theatre improvisers learn something called ‘the habit of yes’.
Note:TEATRO
Note:TEATRO
Yellow highlight | Location: 1,610
Always add to what has been said so far.
Note:AGGIUNGERE
Note:AGGIUNGERE
Yellow highlight | Location: 1,633
Mondy is an actor with plenty of improv experience; Virginia, on the other hand, is his mother-in-law. She has dementia. By using his improv skills and his willingness to say yes
Note:IN DIALOGO CON I DEMENTI
Note:IN DIALOGO CON I DEMENTI
Yellow highlight | Location: 1,637
help people with dementia feel less depressed
Note:EFFETTI DELLA FINTA
Note:EFFETTI DELLA FINTA
Yellow highlight | Location: 1,638
What is the alternative? It is to continually remind dementia sufferers that it is Tuesday,
Note:ALTERNATIVA
Note:ALTERNATIVA
Yellow highlight | Location: 1,648
A great conversation is a rare joy because it is full of surprises and thus requires constant improvisation.
Note:CONVERSAZIO
Note:CONVERSAZIO
Yellow highlight | Location: 1,651
improvisation is fast, exciting and very human. But improvisation can be dangerous,
Note:BELLA E RISCHIOSA
Note:BELLA E RISCHIOSA
Yellow highlight | Location: 1,671
Sometimes it is wise not to improvise. If you never speak in public
Note:ESPERIENZA E DOMINIO
Note:ESPERIENZA E DOMINIO
Yellow highlight | Location: 1,676
The first element, paradoxically, is practice.
Note:QUEL CHE SERVE X IMPROVV
Note:QUEL CHE SERVE X IMPROVV
Yellow highlight | Location: 1,680
The second element is a willingness to cope with messy situations.
Note:SECONDO
Note:SECONDO
Yellow highlight | Location: 1,690
The third crucial element is the ability to truly listen,
Note:TERZO ASCOLTARE E RISPONDERE
Note:TERZO ASCOLTARE E RISPONDERE
Yellow highlight | Location: 1,692
being willing to take risks and to let go.
Note:ELE MENTO PIÙ IMPORTANTE...ACCETTARE IL RISCHIO
Note:ELE MENTO PIÙ IMPORTANTE...ACCETTARE IL RISCHIO
Yellow highlight | Location: 1,704
He wanted time to think.
Note:KING DOPO GLI EVENTI DI ROSA
Note:KING DOPO GLI EVENTI DI ROSA
Yellow highlight | Location: 1,706
King found himself in an unfamiliar situation: he had to prepare his inaugural speech
Note:COLTO DI SORPRESA
Note:COLTO DI SORPRESA
Yellow highlight | Location: 1,713
Every Sunday he delivered a sermon based on fifteen hours of hard work.
Note:RICORDIAMO
Note:RICORDIAMO
Yellow highlight | Location: 1,721
As he spoke, King listened to the crowd, feeling out their response, speaking in the moment.
Note:METODO DAVIS
Note:METODO DAVIS
Yellow highlight | Location: 1,723
His speech was not a solo; it was a duet with his audience.
Yellow highlight | Location: 1,735
As with any extemporaneous performance, King’s was imperfect. His conclusion was limp. Some lines fell flat:
Note:IMPERFEZIONI
Note:IMPERFEZIONI
Yellow highlight | Location: 1,739
never in his life delivered a sermon with such flaws.
Note:UNICUM
Note:UNICUM
Yellow highlight | Location: 1,740
‘That was the great awakening,’
Note:UNA BUONA DEFINIZIONE DEL RISULTATO FINALE
Note:UNA BUONA DEFINIZIONE DEL RISULTATO FINALE
Yellow highlight | Location: 1,743
King himself, one suspects, had not truly understood what he could unleash
Note:INCONSAP.
Note:INCONSAP.
Yellow highlight | Location: 1,746
The days of meticulous preparation were behind him:
Note:DA ALLORA...
Note:DA ALLORA...
Yellow highlight | Location: 1,764
‘Tell ’em about the dream, Martin,’ yelled the singer Mahalia Jackson.
Note:INTERAZIONE
Note:INTERAZIONE
Yellow highlight | Location: 1,771
That speech would forever be known as ‘I Have a Dream’.
Yellow highlight | Location: 2,641
